You must uncompress (or “unzip”) the files to restore them to their original size and format before you use them with the book. What to do with the Media files once you’ve downloaded them The files are compressed into Zip archives to speed up download time and to protect the contents from damage during transfer. Our customer service representatives will assist you as soon as possible. If you are unable to locate the files for this title by following the steps above, please email and supply the code from step one. Click the media file links to download them to your computer.
#ORIEL MULTISPEC 77400 UPDATE#
The downloadable files will be listed under Lesson & Update Files tab on your Account page (see image below). If you do not have a account, you will be prompted to create one. On a Mac or PC, go to and enter this code: 52D9E623DAB5 2. To access the files, do the following: 1. These clips are the raw, uncorrected source material for each example and can be imported into any grading application that’s compatible with Apple ProRes media. The downloadable content includes a wide variety of corresponding QuickTime clips that you can use as a playground for experimenting with the techniques discussed.
#ORIEL MULTISPEC 77400 HOW TO#
How to Get Your Media Files Thank you for purchasing this digital version of: Color Correction Handbook Throughout this book, you’ll see examples of scenes in commercially produced shows that are used to demonstrate various concepts and techniques. Vibrance and Targeted Saturation.Ĭolor Correction Handbook Professional T echniques for Video and C inem a, 2nd Edition
#ORIEL MULTISPEC 77400 PRO#
Other Video Scope Options for Broadcast Gamut Monitoring.Ĭreating Graphics and Animation with Legal Values.īroadcast-Safe Settings in Grading Applications.īroadcast-Safe Settings in Editing Applications.Īvid Media Composer and Symphony Broadcast-Safe Settings.Īdobe Premiere Pro Broadcast-Safe Settings.įinal Cut Pro X Broadcast-Safe Settings.įinal Cut Pro 7 Broadcast-Safe Settings. RGB Color Space Legality and the RGB Parade Scope. Monitoring and Legalizing Saturation in Detail. Six Structured Steps to Legalizing Your Picture. Quality Control Issues That Affect Colorists. How to Match One Shot to Another.Ĭhapter 10. Techniques for Adjusting Complexion Using Secondaries. Grade Transitions Using Through Edits and Dissolves.Īrtificial Lighting Changes.
![oriel multispec 77400 oriel multispec 77400](https://img.ruten.com.tw/s1/a/20/cf/21716925459663_831.jpg)
Grade Animation Controls Compared.Ĭorrecting Changes in Exposure.
![oriel multispec 77400 oriel multispec 77400](https://www.newport.com.cn/medias/sys_master/images/images/h43/h04/8797738172446/BPT-pg4-7b-600w.gif)
Other Types of HSL Adjustments.Īggressive Digital Relighting. Tips for Using and Optimizing HSL Qualifications.ĭifferent Ways of Using HSL Qualifiers.
![oriel multispec 77400 oriel multispec 77400](https://d2pxk6qc9d6msd.cloudfront.net/11213.jpg)
Individual Qualifier Controls.Ī Basic HSL Qualification Workflow. Understanding and Controlling Color Contrast. Working with High Dynamic Range (HDR) Media.Ĭhapter 4. Setting Appropriate Highlights and Shadows.
![oriel multispec 77400 oriel multispec 77400](https://www.newport.com.cn/medias/sys_master/images/images/h9e/h25/8797970333726/Dispersion-a-600w.gif)
Redistributing Midtone Contrast.Īdjusting Log-Encoded Contrast. Other Hardware for Color Correction.Įvaluating Contrast Using Video Scopes.Ĭontrols to Adjust Contrast. Setting Up a Color Correction Suite.Ĭonfiguring a Grading Theater. Understanding Display-Referred Color Management. Before the Shoot: Choosing a Recording Format.ĭigital Dailies: the Start of Postproduction.